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Sundance
Кинофестива́ль «Са́нденс» (англ. Sundance Film Festival ) — международный кинофестиваль независимого кино. Проводится в Парк Сити, штат Юта, США в конце января.
История
Фестиваль был впервые проведён в 1978 году как смотр американского независимого кино.
Киноинститут Санденс был основан в 1981 году Робертом Редфордом. Он назван в честь сыгранного им персонажа фильма «Буч Кэссиди и Санденс Кид».
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Смотреть что такое «Sundance» в других словарях:
Sundance — heißen mehrere Orte in Nordamerika Sundance (Utah), bekannt als Skigebiet und für das dort stattfindende Sundance Film Festival Sundance (Wyoming) Sundance (Manitoba), Kanada sowie ein Computerspiel Sundance (Computerspiel) aus dem Jahr 1979.… … Deutsch Wikipedia
Sundance — Sundance, WY U.S. town in Wyoming Population (2000): 1161 Housing Units (2000): 545 Land area (2000): 1.994086 sq. miles (5.164659 sq. km) Water area (2000): 0.007558 sq. miles (0.019575 sq. km) Total area (2000): 2.001644 sq. miles (5.184234 sq … StarDict’s U.S. Gazetteer Places
Sundance, WY — U.S. town in Wyoming Population (2000): 1161 Housing Units (2000): 545 Land area (2000): 1.994086 sq. miles (5.164659 sq. km) Water area (2000): 0.007558 sq. miles (0.019575 sq. km) Total area (2000): 2.001644 sq. miles (5.184234 sq. km) FIPS… … StarDict’s U.S. Gazetteer Places
Sundance — Cette page d’homonymie répertorie les différents sujets et articles partageant un même nom. Sundance peut désigner : États Unis Sundance, une station de ski de l Utah ; Sundance, une ville de l État du … Wikipédia en Français
Sundance — Original name in latin Sundance Name in other language SUC, Sundance State code US Continent/City America/Denver longitude 44.40637 latitude 104.37578 altitude 1450 Population 1182 Date 2013 05 11 … Cities with a population over 1000 database
Sundance — Sp Sándansas Ap Sundance L JAV Kruko apyg. c. (Vajomingas) … Pasaulio vietovardžiai. Internetinė duomenų bazė
Sundance — short for the influential Sundance Film Festival, known for the exhibition and screening of the best of independent films each year in Utah; also see (film) festival … Glossary of cinematic terms
sundance — sun dance n. A religious ceremony widely practiced among Native American peoples of the Great Plains, typically marked by several days of fasting and group dancing and sometimes including ritual self torture, as in penance or to induce a trance… … Universalium
Sundance Film Festival
History
Utah/US Film Festival
Sterling Van Wagenen subsequently left the film festival to help found the Sundance Institute with Robert Redford.
In 1981, the festival moved to Park City, Utah.
In 1984-85, the now well-established Sundance Institute, headed by Sterling Van Wagenen, took over management of the US Film Festival, which was experiencing financial difficulties. Gary Beer and Sterling Van Wagenen spearheaded production of the inaugural Sundance Film Festival which included Program Director Tony Safford and Administrative Director Jenny Walz Selby.
undance Institute
Corporate America has taken notice of the festival by setting up independent marketing operations during the festival. This has not pleased the Sundance Film Festival, who have tried various ways to encourage brands to officially sponsor the festival, instead of creating their own marketing event. The festival has also (controversially, in some circles) become a press event for celebrities.
Starting in 2006, the Sundance Institute has collaborated with the Brooklyn Academy of Music (BAM) on a special series of film screenings, performances, panel discussions, and special events bringing the institute’s activities and the festival’s programming to New York City. [cite web|title=Sundance Mixed With Stars, Politicians|url=http://www.bam.org/sundance/index_2007.aspx|date=|publisher=BAM|accessdate=2007-11-11]
Growth of the festival
The festival has changed over the decades from a low-profile venue for small-budget, independent creators from outside the Hollywood system to a media extravaganza for Hollywood celebrity actors, directors from studios that are subsidiaries of the major studios, paparazzi, and luxury-goods company sponsors giving gifts to the attendees.
In recent years the festival has strived to distance itself from these distractions, and in 2007 handed out buttons to all film-makers that read, «Focus on Film.»
Festival goers who cannot obtain tickets in advance may buy same-day tickets by lining up early in the morning at the festival box office, or line up for wait list tickets at a theater two hours before a scheduled showing. Wait list tickets are an excellent way to get into the screenings that appear to be sold out, for those who are prepared to wait.
ee also
* 2009 Sundance Film Festival
* 2008 Sundance Film Festival
* 2007 Sundance Film Festival
* 2006 Sundance Film Festival
* List of Sundance Film Festival award winners
* List of Sundance Film Festival selections
* Sundance Channel
* Any Given Sundance
Notes
External links
danm/1810miles/ Scan of the first festival program]
Look at other dictionaries:
Sundance Film Festival — Festival du film de Sundance Sundance Film Festival Le Festival du film de Sundance (Sundance Film Festival) est le principal festival de cinéma américain et l un des principaux au monde. Le festival se tient chaque année à Park City et à Salt… … Wikipédia en Français
Sundance Film Festival — Logo (2007) Das Sundance Film Festival ist ein US amerikanisches Filmfestival, das jährlich in Park City und Salt Lake City, Utah, stattfindet. Es gehört weltweit zu den größten seiner Art und gilt als weltweit wichtigste Plattform für… … Deutsch Wikipedia
Sundance Film Festival — a film festival started and organized by the actor and director Robert Redford. It has been held every year in Utah since 1978 and shows films by independent film makers. * * * … Universalium
Sundance Film Festival 2011 — Das 27. Sundance Film Festival fand vom 20. Januar 2011 bis 30. Januar 2011 in Park City, Utah statt. Filmvorführungen wurden in 19 Lichtspielhäusern in Salt Lake City, Ogden und Sundance, jeweils im US Bundesstaat Utah, gezeigt. Den großen Preis … Deutsch Wikipedia
Sundance Film Festival 2010 — Das Sundance Film Festival 2010 war das 26. Sundance Film Festival und fand vom 21. bis 31. Januar 2010 in Park City, Utah statt. Inhaltsverzeichnis 1 Documentary 2 World Cinema Documentary 3 World Cinema Dramatic … Deutsch Wikipedia
2007 Sundance Film Festival — Infobox Film Festival name = 2007 Sundance Film Festival caption = opening = Chicago 10 cite web|url=http://festival.sundance.org/2007/pdfs/2007SFFONFinal11 16 06.pdf |title=World premiere of Brett Morgen s documentary Chicago 10 to open 2007… … Wikipedia
2008 Sundance Film Festival — Infobox Film Festival name = 2008 Sundance Film Festival caption = opening = In Bruges closing = CSNY Déjà Vu awardsreceived = awardsgiven = films = directors = producers = writers = starring = host = Sundance Institute date = January 17 27, 2008 … Wikipedia
2006 Sundance Film Festival — Infobox Film Festival name = 2006 Sundance Film Festival caption = opening = Friends with Money cite web|url=http://festival.sundance.org/2006/pdfs/REVISED12205RELEASEPremiereAnnct.pdf|title=2006 Sundance Film Festival announces films in… … Wikipedia
List of Sundance Film Festival award winners — This is a partial list of films that won awards at the Sundance Film Festival. NOTOC =1982= *Grand Jury Prize: Dramatic Circle of Power [cite web|url=http://wc05.allmovie.com/cg/avg.dll?p=avg sql=1:6936 T4|title=allmove entry for Circle of Power] … Wikipedia
2009 Sundance Film Festival — Infobox Film Festival name = 2009 Sundance Film Festival caption = opening = closing = awardsreceived = awardsgiven = films = directors = producers = writers = starring = host = Sundance Institute date = January 15 25, 2009 number = location =… … Wikipedia
Sundance Film Festival
Sundance Film Festival
Sundance Film Festival
Sundance Film Festival
Seattle International Film Festival
London Independent Film Festival
HollyShorts Film Festival
London Film Week
Berlin Film Week
The Sundance Film Festival brings together the most original storytellers and the most adventurous audiences for its annual program of dramatic, documentary, and short films; New Frontier films, performances, exhibitions, and virtual reality experiences; episodic storytelling; lively filmmaker conversations and panel discussions; and dynamic music events. Since 1985, hundreds of films launched at the Festival have gained critical recognition and reached worldwide audiences eager for fresh perspectives and new voices.
A nonprofit organization, Sundance Institute provides and preserves the space for independent artists to create and present original, authentic new work. Founded by Robert Redford in 1981 in the mountains of Sundance, Utah, the Institute is an internationally recognized resource for thousands of artists. With its Sundance Film Festival and artistic development programs for film, theatre, and new media artists, the Institute seeks to advance the impact of independent storytelling throughout the world.
U.S. Grand Jury Prizes
The ranking award is the Grand Jury Prize, which recognizes a film in both the U.S. Dramatic and U.S. Documentary Competitions as the best from the independent film community this year.
World Cinema Grand Jury Prizes
The highest award for international films, the World Cinema Grand Jury Prize recognizes the best dramatic and documentary work in international independent filmmaking this year.
Directing Award
The Directing Award honors directors in the U.S. Dramatic Competition, U.S. Documentary Competition, World Cinema Dramatic Competition, and World Cinema Documentary Competition.
Special Jury Prizes
Jurors give a number of Special Jury Prizes recognizing excellence in the craft of filmmaking. These prizes are chosen by their respective jury members as they deem appropriate. The Waldo Salt Screenwriting Award is given to a U.S. Dramatic film for excellence in screenwriting.
NEXT Innovator Prize
This award recognizes the most innovative and forward-thinking film screened in the NEXT category. The prize is awarded by an iconic figure regarded as an important innovator in their respective field. This single juror will choose one film that they believe to be the most innovative.
Audience Awards
Audience Awards are chosen by Festivalgoers themselves through ballots cast at the theaters after screenings. Audience Awards are presented to films in the Festival’s U.S. Dramatic Competition, U.S. Documentary Competition, World Cinema Dramatic Competition, World Cinema Documentary Competition, and NEXT.
Festival Favorite Award
All feature films presented at the Festival are eligible for the Festival Favorite Award, which is determined by audience ballots across all Festival screenings. Similar to the Festival’s long-standing Audience Awards for each competition section, this award designates the feature film from any of the Festival’s sections that best connects with audiences.
Sundance Institute/NHK Award
This annual award was created to support the next generation of emerging directors.
Alfred P. Sloan Feature Film Prize
Provided by the Alfred P. Sloan Foundation, this juried award is presented to the writer and director of an outstanding feature film focusing on science or technology as a theme or depicting a scientist, engineer, or mathematician as a major character.
Jury Prizes and Awards in Short Filmmaking
The following prizes and awards are bestowed on short films in the Festival that exemplify outstanding vision and creativity in their respective categories:
Short Film Grand Jury Prize
Short Film Jury Award: U.S. Fiction
Short Film Jury Award: International Fiction
Short Film Jury Award: Nonfiction
Short Film Jury Award: Animation
Short Film Special Jury Awards
TERMS AND CONDITIONS:
The undersigned, the authorized representative of the project named below (hereafter called the «Project») to Sundance Institute (hereafter called the “Institute”) for consideration for the 2022 Sundance Film Festival (hereafter called the “Festival”), hereby acknowledges the following:
1. The undersigned represents and warrants to the Institute that: (a) The undersigned is duly authorized, on behalf of the undersigned and on behalf of all other persons or entities who have any ownership rights, licenses or interests (including, without limitation, intellectual property rights or distribution licenses) in or relating to the Project (collectively and separately hereafter called the “Project’s Owners”), to permit the Institute to exhibit this Project in the Festival and to make the promises, representations and warranties set forth herein, (b) exhibition of the Project in the Festival will not violate any law or any right or consent of any person or entity, whether such exhibition is theatrical (live), digital, or any combination thereof; and (c) the Project is not subject to any litigation, arbitration, or other adversarial claim or proceeding, nor is the Project the subject of any threat of litigation, arbitration, or other adverse claim or proceeding.
2. The undersigned further represents and warrants, on behalf of the undersigned and the Project’s Owners, that the exhibition of the Project in the Festival, whether live, digital, or any combination thereof, will not violate or infringe any copyright, patent, privacy right, publicity right, trademark, service mark or any other personal or property right of any person or entity, and that the Project does not and will not constitute or include any defamation of any person or entity. All license fees, clearance fees, and other obligations, of any kind, arising from or associated with the exhibition of the Project in or in connection with the Festival, have been and will be timely paid in full.
3. In the event that the Project is accepted by the Institute for inclusion in the Festival, the undersigned acknowledges, on behalf of the undersigned and the Project’s Owners, that the Institute’s exhibition or presentation of the Project in the Festival does not and will not create any confidential or fiduciary relationship between the Institute on the one hand and the undersigned and/or the Project’s Owners on the other. The undersigned further acknowledges, on behalf of the undersigned and the Project’s Owners, that neither the undersigned nor any of the Project’s Owners will receive any compensation for such exploitation, although some Festival prizes may include cash awards. The undersigned acknowledges that no obligation of any kind is assumed by, or may be implied against, the Institute or the Festival in the event of, by virtue of, or as a result of the Institute’s selection of the Project for the Festival. The undersigned and the Project’s Owners understand and acknowledge that the selection of the Project for inclusion in the Festival does not and will not in any way constitute an express or implied endorsement or approval by the Institute or the Festival of the content of the Project or any opinion expressed therein.
4. The undersigned agrees, on behalf of the undersigned and each of the Project’s Owners, to indemnify and hold harmless the Institute and the Festival, together with each of their parents, subsidiaries, affiliates, officers, directors, employees, attorneys, creative advisors, agents and representatives (collectively, “Sundance Related Parties”), from and against any and all claims, losses, liabilities, damages, fees and expenses (including, but not limited to, reasonable attorneys’ fees and other costs) that may be asserted by any person or entity, or may be incurred by the Institute, the Festival, or any Sundance Related Parties, at any time in connection with the Project or the Institute’s use, handling, consideration or exhibition thereof, and/or arising from any breach or alleged breach of any representation made by the undersigned to the Institute, the Festival or any Sundance Related Parties, including, without limitation, any express or implied representation in these Terms and Conditions.
6. Without in any way limiting the provisions or scope of the agreements set forth herein, the undersigned further agrees and accepts that, in the event that any Claim is asserted, or any action, arbitration or other proceeding is brought or commenced, by the undersigned, any of the Project’s Owners, or any other representative of or person affiliated with the Project, in violation of the agreements set forth herein, and in the further event that an arbitrator or other tribunal should permit such Claim to proceed despite the waiver language set forth in paragraph 5 above, the sole and maximum remedy that could be awarded to any person or entity asserting any Claim shall be a refund of the submission fee paid in connection with the submission of the Project to the Institute for consideration for the Festival. Under no circumstances shall any other remedy, including without limitation actual, expectancy, reliance, consequential, special, punitive or exemplary damages, or any other damages, or injunctive, declaratory, provisional or other relief, be available to the undersigned, the Project’s Owners, or any other person or entity representing or affiliated with the Project.
7. In the event that the Project is accepted by the Institute for inclusion and exhibition in the Festival, the undersigned, requiring the consent of no other party to do so, hereby grants, on behalf of the undersigned and each of the Project’s Owners, each of the following rights to the Institute, the Festival, and any Sundance Related Parties without reservations, conditions or qualifications: (a) the right to use footage, stills and/or titles, and information from or relating to the Project for promotional purposes; (b) the right to issue and authorize publicity concerning the Project and all personnel related to the Project; and (c) to use the names, likenesses and biographical information of all Project personnel, including, without limitation, director(s), producer(s), writer(s), cast member(s) and crew in connection with the exhibition of the Project in, and promotion of, the Festival and the promotion of Institute.
8. In the event that the Project is accepted by the Institute for inclusion and exhibition in the Festival, and if the undersigned or the Project’s Owners and any other representative or person affiliated with the Project have contractual obligations to any producers, distributors, creators, cast or crew regarding «festival benefits» (which may include but are not limited to production credits, screening tickets, Festival credentials or monetary compensation), the undersigned agrees and accepts that those “festival benefits” must be administered and distributed by the undersigned and/or the Project’s Owners, do not impact the nature or quantity of benefits provided by Institute and that the Institute has no responsibility whatsoever in connection therewith.
9. The undersigned warrants and agrees, on behalf of the undersigned and each of the Project’s Owners, that the Institute has made no claims, representations or guarantees, and has provided no assurances, in relation to the internal process utilized by the Institute with respect to selection of projects for inclusion in the Festival, and that the submission of the Project neither imposes nor creates any obligation or responsibility on the part of the Institute, the Festival, or any Sundance Related Parties to provide the undersigned, the Project’s Owners, or any Project- related parties with comments, feedback or other information pertaining to the viewing or consideration of the Project by the Institute for possible inclusion in the Festival.
10. The undersigned warrants and agrees, on behalf of the undersigned and each of the Project’s Owners, that by submitting the Project to the Institute, the Institute and all persons employed by, contracted by, or otherwise directly associated with the Institute are deemed to have been granted the irrevocable right to view and/or download all digital assets associated with the Project, including, but not limited to, any representation of the Project in the form of video files, still images, assets streamed via the Internet, and/or all other assets and information provided by the Applicant on the application. All digital assets referenced above shall remain active and accessible by the Institute until the conclusion of the Festival on February 2nd, 2022. Any dissemination of these materials, incidental or otherwise, shall not be the responsibility of the Institute or any Sundance Related Parties.
11. The undersigned represents that if the undersigned is younger than the legal age to enter into contracts in the state of the undersigned’s principal place of residence, the Institute has been provided with signed, written consent from the undersigned’s parent or legal guardian.
12. Without in any way limiting the provisions or scope of this submission agreement, the undersigned agrees, on behalf of the undersigned and each of the Project’s Owners, that any claim, dispute or controversy arising out of, in connection with, or otherwise related to the Project, the Festival, or these Terms and Conditions, including, without limitation, any Claim (as this term is defined above) and any other claim or cause of action of any nature arising from the actual or alleged breach, termination, enforcement, interpretation or validity of these Terms and Conditions, as well as the determination of the scope or applicability of this agreement to arbitrate, will be governed by the internal, substantive laws of the State of California and will be subject to and submitted to exclusive, binding arbitration before a single arbitrator in Los Angeles, California, which shall be the sole and exclusive forum for determination of such claim, dispute or controversy. Such arbitration will be administered by JAMS pursuant to its Streamlined Arbitration Rules and Procedures then in effect. The arbitrator will be selected by mutual agreement of the parties or, if the parties are unable to agree on an arbitrator, will be appointed by JAMS pursuant to its Streamlined Arbitration Rules and Procedures then in effect. The arbitrator shall issue a written award and, subject to the terms of paragraph 6 hereof, shall have the right to award monetary relief. The undersigned specifically agrees and acknowledges, that the arbitrator shall not have the power to award punitive or exemplary damages, nor shall the arbitrator have the power to order the Institute to include the Project in the Festival or to award any injunctive or non-monetary relief. The arbitrator shall have the power to award, and shall be required to award, to the substantially prevailing party in any such arbitration, its reasonable attorneys’ fees, costs and expenses incurred in connection with the arbitration (including, without limitation, reimbursement of that party’s share of the arbitrator’s fees and JAMS administrative charges). The arbitrator’s award shall be final, binding and non-appealable. Judgment on the arbitrator’s award may be entered in any federal or state court of competent jurisdiction in the United States. In agreeing to this exclusive arbitration provision, the undersigned hereby waives, forfeits and relinquishes, on behalf of the undersigned and each of the Project’s Owners, any right or entitlement that the undersigned and/or the Project’s Owners might otherwise have had to bring or litigate any claim or claims in any federal or state court against the Institute, the Festival, or any Sundance Related Party, and further waives, forfeits and relinquishes any right to a trial by jury with respect to such claim or claims.
13. The undersigned hereby acknowledge that the undersigned has the right to consult with an attorney of its own choosing with respect to these Terms and Conditions and with respect to the Rules and Regulations for submitting a project to the Festival, located at www.sundance.org/submissions-rules. By completing the submission application for 2022 Sundance Film Festival consideration, the undersigned acknowledges and agrees that the undersigned is doing so after having consulted with an attorney or having freely or voluntarily elected not to do so without coercion or duress.
14. Code of Conduct: Sundance Institute promotes an environment where bold, creative, and distinctive voices are celebrated. Sundance Institute is committed to allowing filmmakers, their teams and Festival attendees to experience the Sundance Film Festival free of harassment, discrimination, sexism, and threatening or disrespectful behavior. The Institute reserves the right to rescind an invitation to participate in the Festival for those who engage in such conduct.
15. The undersigned hereby acknowledges on behalf of all Project Owners that the undersigned has read and understood the Rules and Regulations for submitting a project to the Festival, located at www.sundance.org/submissions-rules, and that the information contained in said Rules and Regulations does and shall supersede any information obtained elsewhere, including, but not limited to, information contained in any current Frequently Asked Questions (FAQ) documents and/or rules and regulations documents from prior years.
16. By completing the submission application for 2022 Sundance Film Festival consideration, the undersigned, on behalf of the undersigned and all Project Owners, freely and voluntarily gives and expresses full and complete acceptance of all of the terms and provisions set forth in these Terms and Conditions. The parties acknowledge that no oral representations, inducements, promises or assurances of any kind, and no representations, inducements, promises or assurances not set forth in these Terms and Conditions, have been made to the undersigned or the Project’s Owners by the Festival, the Institute, or any Sundance Related Parties.
In the event that the Project is accepted for the 2022 Sundance Film Festival, the Project Owners will enter into a Festival Participation Agreement incorporating all of the terms and conditions of this agreement, which terms and conditions shall be and remain binding upon the undersigned, the Project and the Project Owners. The Institute reserves the right to rescind any and all Festival acceptance invitations given to the Project and the Project Owners, whether verbally or in writing, in the event that the Festival Participation Agreement is not accepted by the Project Owners.